Kamal Haasan

Indian 2 Digital rights of Kamal Haasan's film vended for Rs 200 crore-Exclusive

Post the success of Vikram, Kamal Haasan's career is formerly again on an upward line. He lately joined the huge starcast of Kalki 2898 announcement with names like Amitabh Bachchan, Prabhas and Deepika Padukone formerly attached to it. Kamal Haasan is also uniting on the effect of his 1996 megahit film Hindustani/ Indian with director Shankar and the buzz on that film is extremely good.

In fact, Kamal Haasan is so happy and proud of the work that director Shankar has done on the film that he blessed him a watch worth Rs 8 lakh as a commemorative of appreciation back in the month of June.

He twittered," I watched the main scenes of' Indian 2' moment. My stylish wishes@shankarshanmugh My advice is that this shouldn't be your peak. Because this is the loftiest stage of your cultural life. Do not take this to the top and be proud. In hunt of numerous new heights. dear Kamal Haasan"

The rearmost on the film is that streaming mammoth Netflix has bought the digital rights for the film across languages for a sum overhead of Rs 200 crore. A source close to the development tells ETimes," Shankar has really beaten himself with Indian 2 and people who have seen the portions of the film are extremely happy with the outgrowth."

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Indian 2 thresholds from where part 1 ended which means Kamal Haasan's character of Senapathy is going to be about 90 times old. In fact, a many weeks ago ETimes reported that Kamal Haasan would spend nearly 4 hours on the make- up president to get into the look and 2 hours to remove the look of Senapathy.

Kamal Haasan (born Parthasarathy Srinivasan on 7 November 1954) is an Indian actor, filmmaker, screenwriter, playback singer, television presenter and politician who works mainly in Tamil cinema. He has also appeared in some Telugu, Malayalam, Hindi, Kannada and Bengali films. He is regarded as one of the finest actors in the Indian cinema. Haasan is also known for introducing many new technologies and cosmetics to the Indian film industry. He has won numerous accolades, including Four National Film Awards, Nine Tamil Nadu State Film Awards, Four Nandi Awards, One Rashtrapati Award, Two Filmfare Awards and 17 Filmfare Awards South. He was awarded the Kalaimamani Award in 1984, the Padma Shri in 1990, the Padma Bhushan in 2014 and the Ordre des Arts et des Lettres (Chevalier) in 2016.

Haasan started his career as a child artist in the 1960 Tamil-language film Kalathur Kannamma, for which he won the President's Gold Medal. His breakthrough as a lead actor came in the 1975 drama Apoorva Raagangal, directed by K. Balachander, in which he played a rebellious youth who falls in love with an older woman. He won his first National Film Award for his portrayal of a guileless school teacher who cares for a woman who suffers from retrograde amnesia in Moondram Pirai (1982). He was noted for his performances in K. Viswanath's Sagara Sangamam (1983), Swathi Muthyam (1986), Mani Ratnam's Nayakan (1987), Singeetam Srinivasa Rao's "Pushpak" (1987), Suresh Krissna 's "Sathyaa"(1988), Singeetam Srinivasa Rao 's "Apoorva Sagodharargal" (1989), Santhana Bharathi 's "Guna" (1991) and "Mahanadi" (1994). Since then he has appeared in films including Hey Ram (2000), Virumaandi (2004), Dasavathaaram (2008) in which he played ten roles, Vishwaroopam (2013) and Vikram (2022). His production company, Raaj Kamal Films International, has produced several of his films.

For his philanthropic efforts, Haasan received the first Abraham Kovoor National Award in 2004. He was project ambassador for the Hridayaragam 2010 event, which raised funds for an orphanage for HIV/AIDS-affected children. In September 2010, Haasan launched a children's cancer relief fund and gave roses to children with cancer at Sri Ramachandra University in Porur, Chennai. Haasan was nominated by the Indian Prime Minister Narendra Modi for the Swachh Bharat Mission. On 21 February 2018, Haasan formally launched his political party, Makkal Needhi Maiam (lit. People's Justice Centre).[9] He has also received the Golden Visa from United Arab Emirates.

Early life and family

Main article: Haasan-Ratnam family

Haasan was born as Parthasarathy on 7 November 1954,[11] in a Tamil Iyengar Brahmin family, to D. Srinivasan, who was a lawyer and freedom fighter,[12] and Rajalakshmi, who was a housewife.[13] Haasan was initially named as Parthasarathy. His father later changed his name to Kamal Haasan.[14] His brothers, Charuhasan (born 1930) and Chandrahasan (born 1936), have also acted.[15] Haasan's sister, Nalini (born 1946), is a classical dancer.[16] He received his primary education in Paramakudi before moving to Madras (now Chennai) as his brothers pursued their higher education. Haasan continued his education in Santhome, Madras, and was attracted towards film and fine arts as encouraged by his father.

Film career

Main articles: Kamal Haasan filmography and Kamal Haasan discography

1960–1963

When a physician friend of his mother, visited A. V. Meiyappan (AVM) to treat his wife, she brought Haasan with her. Apparently impressed by his demeanor AVM's son, M. Saravanan, recommended him for their production Kalathur Kannamma. Haasan won the Rashtrapati Award (President's gold medal) for his performance in Kalathur Kannamma at age six and starred in five more films as a child. He debuted in the Malayalam film industry with Kannum Karalum (1962). Upon his father's encouragement, he joined a repertory company (T. K. S. Nataka Sabha) headed by T. K. Shanmugam. In the meanwhile, he continued his education at the Hindu Higher Secondary School in Triplicane. His time with the theatre company shaped Haasan's craft and kindled his interest in makeup.

1970–1975

After a seven-year hiatus from films, Haasan returned to the industry as a dance assistant, apprenticing under choreographer Thankappan. During this time, Haasan made brief appearances in some films including a few uncredited roles. His first appearance came in the 1970 film Maanavan, in which he appeared in a dance sequence. He went on to assist Thankappan in films such as Annai Velankani (1971) and Kasi Yathirai (1973). In the former he had a supporting role and worked as an assistant director. His first full-fledged role came in K. Balachander's Tamil film Arangetram (1973). Balachander cast him as the antagonist in his Sollathaan Ninaikkiren (1973). Haasan went on to do supporting roles in films such as Gumasthavin Magal (1974), Aval Oru Thodar Kathai (1974) and Naan Avanillai. The same year, he played his first lead role in the Malayalam film, Kanyakumari, for which he won his first Filmfare Award. In Tamil cinema, he had his breakthrough as a lead actor in Balachander's Apoorva Raagangal. He played a rebellious young man who falls in love with an older woman. For this character portrayal, Haasan learned to play the mridangam. The role won him his second Filmfare Award.

1976–1979

In 1976, Haasan appeared Balachander's Manmadha Leelai; this was followed by Oru Oodhappu Kan Simittugiradhu (directed by S. P. Muthuraman), which won him his third Filmfare Award. Haasan later appeared in the Balachander drama Moondru Mudichu. Avargal (1977) concerned the women's movement and, for this role, he learned ventriloquism. It was remade in Telugu as Idi Katha Kaadu (1979), with Haasan reprising his role. 16 Vayathinile, in which he played a village bumpkin, which won him a fourth consecutive Best Actor award. In 1977 Haasan starred in his first Kannada film, Kokila, the directorial debut of friend and mentor Balu Mahendra. That year he also appeared in a Bengali film, Kabita, a remake of the Tamil film Aval Oru Thodar Kathai. In 1978 Haasan made his Telugu film debut with a lead role in the cross-cultural romantic Maro Charitra, directed by Balachander. His fifth consecutive Filmfare Award resulted from Sigappu Rojakkal, a thriller in which he played a psychopathic sexual killer. He appeared in the Malayalam film Eeta, for which he won his sixth Filmfare Award. He first played opposite to the Sridevi in the 1977 Malayalam movie Satyavan Savithri directed by P.G. Viswambharan, this combination was later on well-accepted and celebrated. In the 1979 Telugu film Sommokadidi Sokokadidi, Haasan played two parts. This was also his first collaboration with director Singeetam Srinivasa Rao. He appeared in the musical Ninaithale Inikkum, a snake-horror film Neeya and Kalyanaraman. At the end of the 1970s he had six regional Best Actor Filmfare Awards, including four consecutive Best Tamil Actor Awards.[citation needed]

1980–1989

Haasan's films during the 1980s included 1980 Tamil-language Varumayin Niram Sivappu, the film was simultaneously shot in Telugu as Aakali Rajyam, in which he played an unemployed youth and earned him a first Filmfare Award in Telugu. In 1980 he appeared in the drama film Ullasa Paravaigal, Guru and Maria My Darling. Haasan made his debut in Hindi cinema with Ek Duuje Ke Liye (1981), the remake of his own acted Telugu-language film Maro Charitra directed by K. Balachander (which earned him his first Filmfare Hindi-language nomination). He made his 100th film appearance in 1981 in Raja Paarvai, debuting as a producer. Despite the film's relatively poor box-office performance, his portrayal of a blind session violinist earned him a Filmfare Award.[26] After a year of starring in commercial films, Haasan won the first of three National Awards for Best Actor for his portrayal of a schoolteacher caring for an amnesia patient in Balu Mahendra's Moondram Pirai, later reprising his role in the Hindi version, Sadma. During this period he focused on Bollywood remakes of his Tamil films, including Yeh To Kamaal Ho Gaya and Zara Si Zindagi. In 1983 he appeared in Sagara Sangamam, directed by K. Viswanath. His portrayal of an alcoholic classical dancer won him his first Nandi Award for Best Actor and his second Filmfare Best Telugu Actor Award.[citation needed]

After 1984's multistarrer Raaj Tilak, Haasan appeared in Saagar (released 1985), winning the Filmfare Best Actor Award and nominated for the Best Supporting Actor award. The film was India's representative for the Best Foreign Language Oscar in 1985. He left Bollywood temporarily after Geraftaar and Dekha Pyar Tumhara to feature in Japanil Kalyanaraman (a sequel to his 1979 Kalyanaraman).

In 1986, Haasan produced the technically brilliant Vikram and collaborated with Kodandarami Reddy for Oka Radha Iddaru Krishnulu and then K. Viswanath in Swathi Muthyam, playing an autistic person who tries to change society and won him his second Nandi Award for Best Actor. it was India's entry for Best Foreign Language Film at the Academy Awards in 1986. These Tollywood films found him a large audience in Andhra Pradesh, and many of his later Tamil films were dubbed into Telugu.

Following Punnagai Mannan (in which he played two roles, including a satire of Charlie Chaplin as Chaplin Chellappa) and Kadhal Parisu, Haasan appeared in Mani Ratnam's 1987 film Nayakan. He received his second Indian National Award for his performance; Nayakan was submitted by India as its entry for Best Foreign Language Film at the 1987 Academy Awards,[29] and is on the Time's All-Time 100 Movies list.[30] Haasan appeared in his only silent film to date: Pushpaka Vimana (1987) a black comedy film, in which he played an unemployed youth and earned him a first Filmfare Award in Kannada. In 1988 he appeared Unnal Mudiyum Thambi, Malayalam film Daisy and Sathyaa which were his own productions. Haasan's all four films of 1989 were major success, Apoorva Sagodharargal, where he played a dwarf,[21] then Chanakyan, an original Malayalam film, later Vettri Vizhaa (where he played an amnesiac) and finally Haasan played two parts in Indrudu Chandrudu, winning the Filmfare Best Actor and won him his third Nandi Award for Best Actor for his performance. By the end of the 1980s Haasan was successful in the Malayalam, Kannada, Telugu and Hindi film industries, with Filmfare Awards in each industry and two national awards.

1990–1998

In 1990, Michael Madana Kama Rajan saw Haasan build on Apoorva Sagodharargal by playing quadruplets. It began as a collaboration with writer Crazy Mohan for future comedy films.[33] Haasan won successive Best Actor awards for his portrayal of deranged, obsessive protagonists in Gunaa and Thevar Magan (which was remade in Hindi as 1997's Virasat). He was credited with the story for the latter. Haasan won his third National Film Award for Best Feature Film in Tamil as a producer for Thevar Magan. The film was India's submission for the Academy Awards that year. A series of films followed: Singaravelan, Maharasan, Kalaignan, Mahanadhi, Nammavar, and Sathi Leelavathi Produced by Haasan, it featured himself alongside Kannada actor Ramesh Aravind and comedian Kovai Sarala. Haasan resumed his collaboration with K. Viswanath in the Telugu film, Subha Sankalpam, and starred in the police story Kuruthipunal (Tamil) simultaneously shot in Telugu as Drohi with Arjun Sarja and won Filmfare Best Actor. Haasan's success in the latter was followed by his third National Film Award for Best Actor for Indian. Haasan also won Tamil Nadu State Film Award for Best Actor and Filmfare Best Actor for Indian. The film was India's submission for the Academy Awards.[citation needed]

'The Week', in its 13 September 1992 edition, reported that Chiranjeevi charged Rs. 12.5 million per a film and which is the highest ever remuneration for any Indian hero then. In 1994, Haasan became the first actor to charge 15 million per film. The highest paid Indian actor from 1970 to 1987 was Rajesh Khanna.

After Indian, Haasan played a woman in the comedy Avvai Shanmughi, which was inspired by Mrs. Doubtfire. He chose Shantanu Sheorey to direct the Hindi remake of Avvai Shanmughi, Chachi 420, but after dissatisfaction with five days of shooting Haasan took over as director.[38][39] In 1997 Haasan began directing an unfinished biopic of Mohammed Yusuf Khan, Marudhanayagam; a forty five minutes of film and a trailer was shot. Marudhanayagam was expected to be the biggest, most expensive film in Indian cinematic history and his magnum opus; a number of well-known actors and technicians had been signed, and it was launched at a public ceremony by Queen Elizabeth during her 1997 visit to India.Although the film failed to materialise due to budget constraints, Haasan expressed an interest in reviving the project. In 1998, he appeared in Singeetam Srinivasa Rao's romantic comedy, Kaathala Kaathala opposite Prabhu Deva. The film was a commercial success and was dubbed in Hindi as Mirch Masala, which was never released.

2000–2009

After a two-year hiatus from Indian cinema, Haasan decided against reviving Marudhanayagam. He directed his second film, Hey Ram, a period drama, told in flashback, with a fact-based plot centering on the partition of India and the assassination of Mahatma Gandhi. Haasan produced and choreographed the film, writing its screenplay and lyrics; it was India's submission for the Academy Awards that year. Hey Ram was a box-office failure in India but was successful worldwide. Also in 2000, Haasan appeared in the comedy Thenali as a Sri Lankan Tamilian with PTSD who is under a psychiatrist's care. Thenali, starring Malayalam actor Jayaram, was a box-office success. Haasan's next film was 2001's Aalavandhan, in which he played two roles: For one he had his head shaved and gained ten kilograms. To play the other Army major in Aalavandhan, he went to the NDA for a crash course. The Hindi version was distributed by Shringar Films.Despite pre-release publicity, the film was a commercial failure.

After a number of successful comedies[50] including Pammal K. Sambandam and Panchatanthiram and guest appearances, Haasan directed Virumaandi, a film about capital punishment which won the Best Asian Film Award at the Puchon International Fantastic Film Festival. He also appeared in Anbe Sivam with Madhavan. Priyadarshan, its original director, left and Sundar C. completed the film. Anbe Sivam tells the story of Nallasivam, portrayed by Haasan as a communist. His performance was praised by critics, with The Hindu saying that he "has once again done Tamil cinema proud".

In 2004 Haasan appeared in Vasool Raja MBBS, a remake of Bollywood's Munna Bhai M.B.B.S., with Sneha which was a box-office success. The following year, he wrote and starred in the comedy Mumbai Xpress. Released during Tamil New Year, it was a disappointment at the box office despite positive reviews. He appeared Kannada comedy film Rama Shama Bhama with Ramesh Aravind. In 2006 Haasan's long-delayed project, the stylish police story Vettaiyaadu Vilaiyaadu, was a success. Directed by Gautham Vasudev Menon, the film is about a police officer sent to the US to investigate a series of medical murders. In 2008's Dasavathaaram, he played ten roles; the film was released in a number of languages (including Tamil, Telugu and Hindi) throughout India and overseas. Dasavathaaram, written by Haasan and director K. S. Ravikumar, is one of the first modern science-fiction films made in India. Starring Haasan and Asin Thottumkal, it was the highest-grossing Tamil film (as of 2008) and his performance was critically praised. In Canada, Dasavathaaram was the first Tamil film distributed by Walt Disney Pictures.

After Dasavathaaram, Haasan directed a film tentatively titled Marmayogi, which stalled after a year of pre-production. He then produced and starred in Unnaipol Oruvan, a remake of the Bollywood film A Wednesday, where he reprised the role originally played by Naseeruddin Shah with Malayalam actor Mohanlal playing Anupam Kher's role. It was released in Telugu as Eeenadu, with Venkatesh reprising the role played by Kher. Both versions were critically acclaimed and commercially successful.